by Margaux DeRoux
In the wake of her father’s death, Rose Newlin finds solace in her work as a book restorer. Then, one rainy Connecticut afternoon, a struggling painter appears at her door. William Lomazzo brings with him a sixteenth-century treatise on art, which Rose quickly identifies as a palimpsest: a document written over a hidden diary that had purposely been scraped away. Yet the restoration sparks an unforeseen challenge when William—a married man—and Rose experience an instant, unspoken attraction.
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Published by Olga Zilberbourg
Olga Zilberbourg’s English-language debut LIKE WATER AND OTHER STORIES (WTAW Press) explores “bicultural identity hilariously, poignantly,” according to The Moscow Times. It also dives into topics of bisexuality and immigrant parenthood. Anthony Marra called it “…a book of succinct abundance, dazzling in its particulars, expansive in its scope,” and Karen Bender said, “Olga Zilberbourg is a writer to read right now.”
Zilberbourg’s writing has appeared in World Literature Today, The Believer, Electric Literature, Lit Hub, Alaska Quarterly Review, and elsewhere. Born in Leningrad, USSR in a Russian-speaking Jewish family, she makes her home in San Francisco, California. She has published four collections of stories in Russia, including most recent Задержи дыхание [Hold Your Breath] from Vremya Press. She serves as a consulting editor at Narrative Magazine and as a co-facilitator of the San Francisco Writers Workshop. Together with Yelena Furman, she has co-founded Punctured Lines, a feminist blog about literature from the former Soviet Union. She is currently at work on her first novel.
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San Francisco Writers Workshop 