by Cynthia Gómez
It is 1968 Oakland, and Natalia Fuentes has been hearing rumors about the beautiful Violeta Miramontes. The young heiress to Spanish colonial wealth has been left paralyzed by a mysterious illness. But Nati knows a thing or two about witchcraft, and she is certain that this is the work of dark magic.
A vivid, surreal Gothic about a queer, Latine, working class witch who sets out to rescue a bespelled heiress and loses control of her powers and her heart in the process.
A regular of both the San Francisco Writers Workshop and the Zoom-based Wednesday Edition, where she workshopped this novel, Cynthia Gómez is also the author of The Nightmare Box and Other Stories. Her short fiction has published in Fantasy Magazine, Strange Horizons, Pseudopod, Nightmare Magazine, and numerous anthologies. She lives in Oakland.
Published by G.P. Putnam’s Sons. Preorder on Bookshop.com or at your favorite local bookstore.
Published by Olga Zilberbourg
Olga Zilberbourg’s English-language debut LIKE WATER AND OTHER STORIES (WTAW Press) explores “bicultural identity hilariously, poignantly,” according to The Moscow Times. It also dives into topics of bisexuality and immigrant parenthood. Anthony Marra called it “…a book of succinct abundance, dazzling in its particulars, expansive in its scope,” and Karen Bender said, “Olga Zilberbourg is a writer to read right now.”
Zilberbourg’s writing has appeared in World Literature Today, The Believer, Electric Literature, Lit Hub, Alaska Quarterly Review, and elsewhere. Born in Leningrad, USSR in a Russian-speaking Jewish family, she makes her home in San Francisco, California. She has published four collections of stories in Russia, including most recent Задержи дыхание [Hold Your Breath] from Vremya Press. She serves as a consulting editor at Narrative Magazine and as a co-facilitator of the San Francisco Writers Workshop. Together with Yelena Furman, she has co-founded Punctured Lines, a feminist blog about literature from the former Soviet Union. She is currently at work on her first novel.
View all posts by Olga Zilberbourg